Japanese Pottery Glossary
Some Interesting Japanese Pottery Terms/Definitions:
* Anagama: A "hole kiln" or ancient pottery kiln brought to Japan in the 5th century.
* Yakishime: Unglazed stoneware fired at high temperatures, relying on flame and ash for decoration.
* Natural Ash Glaze (Natural Yu): Glaze formed when wood ash melts onto the clay surface at high heat.
* Wabi-sabi: The Japanese aesthetic centered on the beauty of imperfection and transience.
* Kintsugi: The art of repairing broken pottery with lacquer mixed with powdered gold or silver.
* Hadasuri: The tactile "feel" or skin texture of a finished ceramic piece.
* Sutego: "Waste" pieces placed near the firebox to protect more valuable pieces from direct flame.
* Keshiki: Literally "landscape"; the various patterns and colors on the surface of a pot.
* Bizen-yaki: One of the Six Ancient Kilns, famous for its iron-like hardness and lack of applied glaze.
* Shigaraki: Pottery characterized by small white feldspar granules in the clay.
* Hidasuki: "Fire-cord" markings created by wrapping straw around pots before firing.
* Sangiri: A color effect where a pot is buried in ash, resulting in a dark grey or blue-black finish.
* Yo-hen: "Changed by the fire"; unexpected color changes caused by the kiln atmosphere.
* Noborigama: A multi-chambered climbing kiln built on a slope.
* Redox (Reduction/Oxidation): Manipulating oxygen levels inside the kiln to change clay and ash colors.
* Kambutsu: The specific wood used for firing, usually resinous pine.
* Koge: "Scorched" or heavily ashed areas on a pot, usually dark or crusty.
* Botamochi: "Rice cake" markings created by placing a smaller piece on top of a larger one.
* Ishihaze: "Stone burst"; when small stones in the clay pop through the surface during firing.
* Tanpan: Green copper spots that occur naturally or are applied for color.
* Kuro-Bizen: Bizen pottery blackened through specific firing techniques.
* Hiiro: "Fire color"; the warm orange or red glow on unglazed clay.
* Tsuchi-aji: The "flavor" or character of the raw clay itself.
* Kezuri: The process of trimming or carving the pot's foot when it is leather-hard.
* Anagama-shiki: The traditional lifestyle of living by the rhythm of a long wood-firing.